TERESA LEMME. A COMMON REASON

by Dieter Debruyne

«I take photos to see what’s on my mind.»

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Germany
20.02.2017

ISABELLE HAYEUR. DESERT SHORES

by Eleonora Milner

«My work examines the relation between nature and culture in a world where their (false) opposition is the dominant ideology that still structures Western societies.»

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Canada
13.02.2017

ANDREW BOROWIEC. 30 YEARS IN THE RUST BELT

by Thieu Riemen

«Ideally, my photos convey a lot of information. They are packed with details that might not be apparent at first, but that ultimately inform, complicate, and sometimes subvert the picture’s meaning.»

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United States
13.02.2017

YULI GORODINSKY. AN IMMIGRANT'S GAZE

by Irith Gubi

«I think that it was Susan Sontag who wrote that all photographers are people who were robbed of their childhood. I always related to that sentence.»

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Israel
31.01.2017

BARBARA BENISH. ART MAKES CHANGE

by Polina Shubkina

"Usually, I am working on about five projects simultaneously. The one I am very interested in right now is the new video work, that's going to be dealing with Standing Rock, what's happening now at the Dakota protest. My work has gotten a lot more socially and politically engaged, this one is super radical."

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Czech Republic
26.01.2017

SUSANNAH SAYLER ON CANARIES, CLIMATE CHANGE AND COLLABORATION

by Gary Green

«Producing the bus ads was a transformative moment for the project because we understood at that point that we needed to collaborate with other people and foster other projects in order to reach broader audiences.»

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United States
19.01.2017

LIN XUECONG. A LOST OF RELIGION

by Sheung Yiu

«People are digging meters-deep holes everywhere, if you are not careful, you can be drown in quicksand. I saw a lot of dead pigs floating in the river.»

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China
17.01.2017

EXT. - INT. RAIMOND WOUDA NEW BOOK

by Luciana Benaduce

«The hardest part is working on my own, while simultaneously that is also the best part. Sometimes it can get lonely, but on the other hand it also gives you a kind of focus.»

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The Netherlands
16.01.2017

JEAN-FRANÇOIS HAMELIN. LA POINTE

by Eleonora Milner

«What interest me with photography is the fact that it is an extremely powerful tool in its capability to render a certain depiction of the “real”. The unicity and particularity of the medium lies in this specificity.»

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Canada
14.12.2016

KOSTAS KAPSIANIS. A COMMON STORY

by Georges Salameh

«Shooting with a large format, other than quality, it gives you the opportunity to really think about what you want to do, why you do it, and how much truth is involved.»

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Greece
12.12.2016

DAVID WILSON. RATHER STRANGE WAY

by Steve Bisson

« We devour photographs in a sort of bulimic feeding frenzy, often hastily, in an effort to sift through the huge amount of material that is posted each day.»

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Italy
05.12.2016

PARISPHOTO. SO WHAT?

by Natalya Reznik

«Compared to a not so distant past in which the artist was rarely recognized by the press in advance, we are faced today with a reverse process. It is the media that determines who is the artist of the moment or what the book to buy is.»

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Italy
17.11.2016

HOW I TRIED TO CONVINCE MY HUSBAND TO HAVE A CHILDREN. OLGA BUSHKOVA

by Natalya Reznik

«The only thing that worked for me is to do things in photography that are somehow connected with me, things that somehow solve real issues in my real life. Like, to convince my husband to have children.»

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Russia
07.11.2016

STEPANKA SIMLOVA. TEACHING AT FAMU IN PRAGUE

by Polina Shubkina

«In fact, teaching doesn't take up too much physical time, but it consumes a part of your mind. My brain is occupied by the projects of my students more than by my projects.»

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Czech Republic
21.10.2016

KALPESH LATHIGRA. LOST IN THE WILDERNESS

by Steve Bisson

«I am not motivated to document things but to make photographs that are shaped by my vision in reaction to the world I find.»

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United Kingdom
03.10.2016

SOPHIE BARBASCH. TRAINING TO BE A GIRL

by Steve Bisson

«And the thing that came to mind was driving home at night along the Hudson River past the George Washington bridge towards my childhood home.»

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United States
30.09.2016

JULIE VAN DER VAART. SKIN

by Dieter Debruyne

«I love working intuitively, which means puzzling with what I have, noticing a link and then taking new images that complete the work for me.»

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The Netherlands
26.09.2016

CEMRE YEŞIL. FOR BIRDS' SAKE

by Steve Bisson

«Never forget that the essential is invisible to the eye. If you try enough, you might have a little chance to understand the essential through the eye of the camera.»

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Turkey
25.09.2016

JESSICA AUER. SAGAS

by David Pollock

«I enjoy the quest of finding an image rather than crafting it afterwards.»

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Canada
08.09.2016

IMRICH VEBER. SOMETHING IS MISSING

by Polina Shubkina

«Not all the people, who can write, consider themselves writers. But almost everyone who takes pictures considers themselves photographers.»

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Czech Republic
29.08.2016
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