GIORGIO DI NOTO. THE ICEBERG

by Eleonora Milner

«The content of images have to be expressed through a way which adds and/or underlines something to create a contrast with the subject. I need to represent this dialogue insisting somehow on the ambiguity of the photographic means.»

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Italy
18.02.2018

DANI GHERCA. 'EXTAZTERESTRU' AND OTHER STORIES

by Polina Shubkina

«The project is about Bruce Lee and his “fellows.” Bruce is the leader of the homeless people community, which lives in the sewers around the Central Station in Bucharest.»

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Romania
08.02.2018

GLAUCO CANALIS. OUTSIDE THE DOORSTEP

by Polina Shubkina

«Not many people were still thinking about what’s happening in the places where the survived migrants settle and create new lives. In my opinion, the San Berillo district is reflecting the effects of the second generation of migrants living in the area, becoming Italians, or Afro-Italians as I love to state these days.»

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Italy
18.01.2018

MARCIA GADIOLI. IN SEARCH FOR SLOW TIME

by Daniel Marques

«The film provides the slow time, between the revelation and the enlargement. Somehow the decantation of the recorded images happens in the film as in my memory.»

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Brazil
10.01.2018

LUCA SPANO. WEBS OF SIGNIFICANCE

by Steve Bisson

«We can call it culture, and I like to dig into the role played by the image in this game.»

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Italy
10.01.2018

LI SANKIT. WHY WE PHOTOGRAPH

by Sheung Yiu

«Conscious of the triteness of travel photography, Li re-examines his intentions in taking these photographs. He keenly revisits them. He treats these portraits of his friends not only as a stagnant memento but a conduit to extend a relationship.»

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China
07.12.2017

ROCCO VENEZIA. NEKYIA

by Steve Bisson

«Amongst the things I have learned I will pointing out 2 that for my practice became the most significant: the importance of researching outside of photography and the potential of the photobook format almost as a new language.»

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Italy
30.11.2017

ANTONIS THEODORIDIS. WAYS OF ESCAPE

by Georges Salameh

« I am a bit concerned because, although quantity increases exponentially, our ability to look at photographs is growing disproportionally.»

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Greece
28.11.2017

GIAN MARCO SANNA. MALAGROTTA

by Steve Bisson

«I wanted to report a serious environmental discomfort faced by the inhabitants of the area and the whole city of Rome.»

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Italy
02.11.2017

IGOR POSNER. PAST PERFECT CONTINUOUS

by Steve Bisson

«And then there’s this little camera that inadvertently made me not to go from point A to B, forced me to explore and to keep my eyes open.»

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Russia
23.10.2017

YORGOS KARAILIAS. THERE'S A FRESH BREEZE

by Georges Salameh

«I think that there's a certain need to re-connect the visual content with politics and the social fabric in an active way and in every term, from the conceptual framework to the final communication of the work.»

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Greece
05.10.2017

VARDA CARMELI. PAST-PRESENT

by Irith Gubi

«I submerged myself in long-term projects and evolved through them.»

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Israel
17.09.2017

IVARS GRAVLEJS. DISRUPTING PARADIGMS

by Polina Shubkina

«Even without a camera photographer remains a photographer, it's the way of thinking and perceiving the world. »

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Latvia
08.09.2017

FEDERICO CIAMEI. TRAVEL WITHOUT MOVING

by Rocco Venezia

«It all started in a museum of natural history. I love to wander in those places and I was looking at a diorama of the habitat of some big cat in the Costa Rica Cloud Forest.»

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Italy
22.08.2017

VALENTINA ABENAVOLI

by Rocco Venezia

«One day someone will come across your website and buy one copy of your book, after months. That day you will go to a restaurant to celebrate the selling.»

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Italy
22.06.2017

GREGORY EDDI JONES. IN THE IN-BETWEEN

by Steve Bisson

«Good art is made to reflect the times, and to act as living edifice of the culture in which it is made, so I think that the values of art always reflect broader social values.»

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United States
13.06.2017

RHODY CHAN, LESLIE MONTGOMERY, SHAWN P. GRIFFIN: PLAYING IT STRAIGHT

by Polina Shubkina

«The younger generation of Hong Kongers has a much more open acceptance and understanding of LGBT persons and issues with the rise in travel and their exposure to other countries and cultures where acceptance is the norm.»

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China
10.06.2017

PHILIPPE BRAQUENIER. PALIMPSESTS

by Nathalie Vissers

«My interest is to question our society, I find it more interesting to ask a simple question about a complex topic than the other way around.»

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Belgium
31.05.2017

ROEI GREENBERG. ALONG THE BREAK

by Irith Gubi

«I believe this is due to the fact that the Kibbutz is located right on the border with Lebanon and I grew up at time of an ongoing conflict over that border, which influenced my approach to landscape.»

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Israel
29.05.2017

PAOLO CIREGIA. PERESTROJKA

by Rocco Venezia

«Propaganda extrapolated from its cultural and historical context is no longer "reassuring and positive” but on the contrary, losing the false and arrogant patina that characterises it, reveals the atrocities hidden behind the war.»

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Italy
08.05.2017
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