MIKE READ. BOUNDLESS PLAINS

by Talia Smith

«At it’s most basic definition migration is about movement from one place to another – I’m interested in it at both the micro and macro levels.»

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Australia
24.11.2015

TALIA SMITH VS TWO TRY HARDS

by Talia Smith

«One of the main reasons for starting Try Hard was to fill what we saw as a gap in the online representation of and discussion around Australian and New Zealand photographers.»

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Australia
11.08.2015

KATE MOLENKAMP. OUT OF THE COMFORT ZONE

by Talia Smith

«I just simply capture landscapes for what they are. I guess it’s something I’m conscious of to a degree. But at the same time I can’t claim to understand Korea or Greenland because I shot there for a finite amount of time.»

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Australia
30.07.2015

KATELYN-JANE DUNN. WOMEN’S PERSPECTIVES

by Talia Smith

«Performance is a part of my process where I use the camera as a means of documenting and framing the stage. It’s a mix of intuition, play and responding to sites and objects.»

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Australia
13.07.2015

HEIDI ROMANO AND PHOTOBOOK MELBOURNE

by Steve Bisson

«What I have learnt in the last few months is persistence, persistence and more persistence. It felt like I had thrown twenty balls in the air and didn’t really know which ball would land where.»

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Australia
02.02.2015

LOUIS PORTER. THE SMALL CONFLICT ARCHIVE

by Steve Bisson

«It becomes difficult to view the urban landscape, without addressing a process of colonial erasure. The “cracks” I am interested in, could be equated to the “tell” of the poker player, the twitch or curled lip that gives the game away.»

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Australia
29.09.2013

AMY STEIN AND STACY MEHRFAR. TALL POPPY SYNDROME

by Gregory Jones

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Australia
13.02.2013

CHRIS ROUND. COMFORTABLE DISPLACEMENT

by Steve Bisson

«More than ever it’s imperative that we record and document because the rate of change is increasing exponentially, in all walks of life from innovation in technology to transformation of the environment.»

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Australia
20.01.2013
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