TERESA LEMME. A COMMON REASON

by Dieter Debruyne

«I take photos to see what’s on my mind.»

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Germany
20.02.2017

ISABELLE HAYEUR. DESERT SHORES

by Eleonora Milner

«My work examines the relation between nature and culture in a world where their (false) opposition is the dominant ideology that still structures Western societies.»

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Canada
13.02.2017

ANDREW BOROWIEC. 30 YEARS IN THE RUST BELT

by Thieu Riemen

«Ideally, my photos convey a lot of information. They are packed with details that might not be apparent at first, but that ultimately inform, complicate, and sometimes subvert the picture’s meaning.»

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United States
13.02.2017

KLAUS FRUCHTNIS. EDUCATION, PHOTOGRAPHY AND IMAGE-MAKING

by Steve Bisson

«I believe that listening and understanding stories is as important as telling them. I attach importance to both elements, and encourage our students to be good at both.»

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France
09.02.2017

YULI GORODINSKY. AN IMMIGRANT'S GAZE

by Irith Gubi

«I think that it was Susan Sontag who wrote that all photographers are people who were robbed of their childhood. I always related to that sentence.»

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Israel
31.01.2017

BECAUSE IT'S IN MY NATURE. A BELGIAN WAVE

by Steve Bisson

Urbanautica in Paris to present at MI Galerie the exhibition of Belgian artists: Isabel Devos, Lieven Lefere and Jasper Léonard

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Belgium
27.01.2017

BARBARA BENISH. ART MAKES CHANGE

by Polina Shubkina

"Usually, I am working on about five projects simultaneously. The one I am very interested in right now is the new video work, that's going to be dealing with Standing Rock, what's happening now at the Dakota protest. My work has gotten a lot more socially and politically engaged, this one is super radical."

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Czech Republic
26.01.2017

SUSANNAH SAYLER ON CANARIES, CLIMATE CHANGE AND COLLABORATION

by Gary Green

«Producing the bus ads was a transformative moment for the project because we understood at that point that we needed to collaborate with other people and foster other projects in order to reach broader audiences.»

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United States
19.01.2017

LIN XUECONG. A LOST OF RELIGION

by Sheung Yiu

«People are digging meters-deep holes everywhere, if you are not careful, you can be drown in quicksand. I saw a lot of dead pigs floating in the river.»

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China
17.01.2017

EXT. - INT. RAIMOND WOUDA NEW BOOK

by Luciana Benaduce

«The hardest part is working on my own, while simultaneously that is also the best part. Sometimes it can get lonely, but on the other hand it also gives you a kind of focus.»

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The Netherlands
16.01.2017

A SYSTEMATIC PORTRAIT OF NIKOLAS VENTOURAKIS

by Lina Manousogiannaki

«Cyprus is a place where I believe everything going on in Europe is being compressed for decades. Borders, identity, history, everything! What happened with defining lines is that due to technology I could visualise borders like an augmented reality.»

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Greece
10.01.2017

JEAN-FRANÇOIS HAMELIN. LA POINTE

by Eleonora Milner

«What interest me with photography is the fact that it is an extremely powerful tool in its capability to render a certain depiction of the “real”. The unicity and particularity of the medium lies in this specificity.»

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Canada
14.12.2016

KOSTAS KAPSIANIS. A COMMON STORY

by Georges Salameh

«Shooting with a large format, other than quality, it gives you the opportunity to really think about what you want to do, why you do it, and how much truth is involved.»

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Greece
12.12.2016

NATHALIE BLANC. FORM, ART AND THE ENVIRONMENT

by Polina Shubkina

«I think that environmental artists are mainly dealing with something that you could call the political regime of art, not the aesthetic regime of art anymore.»

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France
08.12.2016

DAVID WILSON. RATHER STRANGE WAY

by Steve Bisson

« We devour photographs in a sort of bulimic feeding frenzy, often hastily, in an effort to sift through the huge amount of material that is posted each day.»

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Italy
05.12.2016

ARNIS BALCUS. VICTORY PARK

by Krzysztof Sienkiewicz

«Victory Park is a park located in Riga, Latvia. Once built to celebrate Latvian independence, this seemingly ordinary place holds a memory of a nationwide traumatic experience.»

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Latvia
29.11.2016

PARISPHOTO. SO WHAT?

by Natalya Reznik

«Compared to a not so distant past in which the artist was rarely recognized by the press in advance, we are faced today with a reverse process. It is the media that determines who is the artist of the moment or what the book to buy is.»

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Italy
17.11.2016

HOW I TRIED TO CONVINCE MY HUSBAND TO HAVE A CHILDREN. OLGA BUSHKOVA

by Natalya Reznik

«The only thing that worked for me is to do things in photography that are somehow connected with me, things that somehow solve real issues in my real life. Like, to convince my husband to have children.»

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Russia
07.11.2016

URBANAUTICA AT PARISPHOTO. FULL PROGRAMME

by Steve Bisson

«Come to visit us if you are in town!!!

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France
04.11.2016

URBANAUTICA AND PARIS COLLEGE OF ART SPECIAL EVENT

by Klaus Fruchtnis

PCA TALK WITH STEVE BISSON, SCREENINGS SESSION BY FILMESSAY AND OPENING OF THE EXHIBITION 'BLURRING THE LINES' IN PARIS

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France
21.10.2016
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